The nausea I feel after being berated by the presidential party conventions has been soothed a bit by my discovery of the following movie on YouTube. John Duffy is one of my musical heroes and if he were alive today, I’d like to have seen him run for president. This country could use a chain smoking, shop teacher with bad pants and a butch cut in charge. In a post-911 world, now more than ever, we need Duffy around. He’s the kind of guy you could (and I did) have a beer with (or 12).

Mr. Duffy… you are sorely missed.

Attendees at this year’s Sugar Maple Festival were treated to a Bluegrass Boy Reunion show featuring Mike Compton on mandolin. Bluegrass Boys Bob Black, Tom Ewing, Mark Hembree were joined by Mike Compton on mandolin, Paul Kienitz on fiddle and Seth Forester on guitar/vocals. Their show was the highlight of the festival and was a fantastic performance by the boys. The tent was rockin’!

Okay, I have been slacking… but only in regards to updating my blog (and buying a dresser for the lump of cloths on by bedroom floor). I’ve actually been quite busy with my new band (This is the) Squirrel Hunters.

For some time I have known that in order to get my playing to the next level, I need more reps and to be forced into sweating every detail. In other words, I need a band. As luck would have it, I have some good friends who’s playing I enjoy and who all have similar interest in improvement. Thus was born (This is the) Squirrel Hunters.

We recently had our debut… our maiden voyage… our, if you will, debutant ball (oh, and I will)…. The event took place at one of my favorite bars, the Roxbury Tavern. Tom, the owner/proprietor of the Roxbury, showed his TITSH colors by cooking up a fantastic squirrel stew in honor of the occasion!

It was a fine time to be sure. There’s work ‘o plenty still to do but it was a fine beginning. You’re welcome to see for yourself. There are a few videos up on YouTube, as well as a photo sideshow on the band site. Our next show is this weekend at the Brooklyn Bluegrass Festival in Brooklyn, WI.

After 31+ hours of air travel (and just barely making it out of St. Louis), I was able to sleep in my own bed last night. I’d like to thank Mike, the Duffs, and the rest of the boys for putting up with me for the last two weeks and for showing me a fine time!

I may post a bit more media in the near future… or not… either way, here’s some audio of Mike and I playing Squirrel Hunters in lovely Fremantle, Australia.

My favorite mandolin player on this planet is Mr. Mike Compton. In an odd turn of events, I also consider him a friend. That he can suffer through with my playing and not throw up (not noticeably at least) is the finest musical honor I’ve achieved. This is a clip of he and I playing in Margaret River, Australia. You can find more videos and sundries over on that there YouTube…

Here’s one just for fun… This is my Hartford inspired (read: stolen) version of “Bring Your Clothes Back Home”. Not sure where he got it but it’s almost certainly an old Blues/stringband tune. The title may also be “Try Me One More Time”. Not sure. Surely there’s a crusty historian out there who would love nothing better than to shred their larynx berating me for my stupidity on the subject… uncle?

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I woke up feeling extremely funky this morning… I’ve been kinda couch-ridden all day and thus, mando playing. My mando is also feeling kinda funky today. Her strings are crusty and stale. Together in our mutual funks, we produced this odd little version of Evening Prayer Blues. A tune with a loose (extremely loose) lineage of DeFord Bailey to Monroe to Compton and then to me.

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Old Mountaineer is one of those fantastic, yet obscure Monroe tunes. I stole it (like so many things) off of Mike Compton. Interestingly, I learned it off of the bootlegs from a house concert in Madison, WI (before I moved here) and have since become good friends with Bobby and Lori, who had hosted that show. If you don’t have that show, you should… but you can find the tune on Stomp as well.

Sidebar: while I’m on it, I’l throw out a quick rant for bootlegs… Some musicians feel that bootlegs cut into their bottom line and/or don’t care for folks to hear their “off” shows. I understand these opinions and have no problem with it… except that I disagree with them. My favorite shows are live. Live performances offer a true look into a musician. The allow me to hear tunes that they’re working into a set or are playing off the cuff. Mistakes provide more depth in understanding their playing. Eg. how one handles a mistake in music, like in life, tells a lot about folks. Please, please, PLEASE… allow live recordings where applicable. When I listen to your show I will have already bought your records (which is why I’m listening to your live show) or open to checking you out (and if I like you I will almost certainly buy your record). ‘Nuff said…

Okay, rant over…

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I used “the folk process” to liberate this tune from a fantastic record by John Hartford and Jim Wood. It’s called The Bullies Have All Gone To Rest and I would highly recommend it. For the recording, I’m using a new toy called the MicPort Pro. Sounds pretty good… as does the Shure KSM32.

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Okay, I had to run over to DHL to pick it up before they closed and therefore sat on their dock until tuesday… but my new Duff is here! I’m off to give it a spin but I threw a quick video together to share with my mando brethren. More to come…

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